Jacob Ferdinand Voet(c. 1639 - c. 1689/1700) was a Flemish Baroque portrait painter. According to the Netherlands Institute for Art History (RKD) he was born at Antwerp as the son of the painter Elias Voet.[1] He travelled to Rome in 1679-1680, Milan in 1680, Florence in 1681, Turin in 1682-1684, and returned to Antwerp in 1684. While in Rome he lived with the painter-engraver Cornelis Bloemaert until he was banned for his portraits of women portrayed with unseemly decollet, whereupon they left Rome together. He undertook a journey to Paris in 1686 where he became court painter until he died there.He is registered as a painter of miniature portraits. According to Houbraken, he made his return journey to Antwerp from Turin in the company of Jan van Bunnik, who he had already met in Rome in the company of Cornelis Bloemaert. From Turin they set out for Lyons, where they met Adriaen van der Cabel, Peter van Bloemen, and Gillis Wenix. They set off for Paris in the company of a third painter who was a good painter of "bataljes" or battle scenes. Houbraken reports that this was Jacob, Jan van Bunnik's brother, but had not mentioned him earlier in his Jan van Bunnik biography. The RKD makes no mention of a Jacob van Bunnik. | |||
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Maria Mancini as Cleopatra Gemälde ID:: 75123 Siehe Galerie in Schweden |
Maria Mancini as Cleopatra 1663-1672 Oil on canvas 75 x 62 cm cjr 1663-1672 _ Oil_on_canvas _ _75_x_62_cm _ cjr |
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Maria Mancini as Cleopatra Gemälde ID:: 76855 Siehe Galerie in Schweden |
Maria Mancini as Cleopatra Date 1663-1672 Medium Oil on canvas Dimensions 75 x 62 cm cyf Date_1663-1672 _ Medium_Oil_on_canvas _ Dimensions_75_x_62_cm _ cyf |
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Portrait of Hortense Mancini, duchesse de Mazarin Gemälde ID:: 78029 Siehe Galerie in Schweden |
Portrait of Hortense Mancini, duchesse de Mazarin 1671(1671) Oil on canvas cjr 1671(1671) _ Oil_on_canvas _ cjr |
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Urbano Barberini, Prince of Palestrina Gemälde ID:: 81302 Siehe Galerie in Schweden |
Urbano Barberini, Prince of Palestrina oil on canvas 76 x 63 cm Date 18th century cjr oil_on_canvas_ 76_x_63_cm_ _ Date_18th_century _ cjr |
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Portrait of Don Luis de la Cerda Gemälde ID:: 82745 Siehe Galerie in Schweden |
Portrait of Don Luis de la Cerda 1684(1684) Medium Oil on canvas Dimensions 231 x 173 cm (90.9 x 68.1 in) cyf 1684(1684) _ Medium_Oil_on_canvas _ Dimensions_231_x_173_cm_(90.9_x_68.1_in) _ cyf |
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1 | Vorheriger Künstler Nächster Künstler | |||||||||
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| Jacob Ferdinand Voet | ||||||||||
| (c. 1639 - c. 1689/1700) was a Flemish Baroque portrait painter. According to the Netherlands Institute for Art History (RKD) he was born at Antwerp as the son of the painter Elias Voet.[1] He travelled to Rome in 1679-1680, Milan in 1680, Florence in 1681, Turin in 1682-1684, and returned to Antwerp in 1684. While in Rome he lived with the painter-engraver Cornelis Bloemaert until he was banned for his portraits of women portrayed with unseemly decollet, whereupon they left Rome together. He undertook a journey to Paris in 1686 where he became court painter until he died there.He is registered as a painter of miniature portraits. According to Houbraken, he made his return journey to Antwerp from Turin in the company of Jan van Bunnik, who he had already met in Rome in the company of Cornelis Bloemaert. From Turin they set out for Lyons, where they met Adriaen van der Cabel, Peter van Bloemen, and Gillis Wenix. They set off for Paris in the company of a third painter who was a good painter of "bataljes" or battle scenes. Houbraken reports that this was Jacob, Jan van Bunnik's brother, but had not mentioned him earlier in his Jan van Bunnik biography. The RKD makes no mention of a Jacob van Bunnik. | ||||||||||
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