Jacob Ferdinand Voet

(c. 1639 - c. 1689/1700) was a Flemish Baroque portrait painter. According to the Netherlands Institute for Art History (RKD) he was born at Antwerp as the son of the painter Elias Voet.[1] He travelled to Rome in 1679-1680, Milan in 1680, Florence in 1681, Turin in 1682-1684, and returned to Antwerp in 1684. While in Rome he lived with the painter-engraver Cornelis Bloemaert until he was banned for his portraits of women portrayed with unseemly decollet, whereupon they left Rome together. He undertook a journey to Paris in 1686 where he became court painter until he died there.He is registered as a painter of miniature portraits. According to Houbraken, he made his return journey to Antwerp from Turin in the company of Jan van Bunnik, who he had already met in Rome in the company of Cornelis Bloemaert. From Turin they set out for Lyons, where they met Adriaen van der Cabel, Peter van Bloemen, and Gillis Wenix. They set off for Paris in the company of a third painter who was a good painter of "bataljes" or battle scenes. Houbraken reports that this was Jacob, Jan van Bunnik's brother, but had not mentioned him earlier in his Jan van Bunnik biography. The RKD makes no mention of a Jacob van Bunnik.
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Jacob Ferdinand Voet Maria Mancini as Cleopatra oil painting


Maria Mancini as Cleopatra
Gemälde ID::  75123
Siehe Galerie in Schweden
Maria Mancini as Cleopatra
1663-1672 Oil on canvas 75 x 62 cm cjr
1663-1672 _ Oil_on_canvas _ _75_x_62_cm _ cjr
   
   
     

Jacob Ferdinand Voet Maria Mancini as Cleopatra oil painting


Maria Mancini as Cleopatra
Gemälde ID::  76855
Siehe Galerie in Schweden
Maria Mancini as Cleopatra
Date 1663-1672 Medium Oil on canvas Dimensions 75 x 62 cm cyf
Date_1663-1672 _ Medium_Oil_on_canvas _ Dimensions_75_x_62_cm _ cyf
   
   
     

Jacob Ferdinand Voet Portrait of Hortense Mancini, duchesse de Mazarin oil painting


Portrait of Hortense Mancini, duchesse de Mazarin
Gemälde ID::  78029
Siehe Galerie in Schweden
Portrait of Hortense Mancini, duchesse de Mazarin
1671(1671) Oil on canvas cjr
1671(1671) _ Oil_on_canvas _ cjr
   
   
     

Jacob Ferdinand Voet Urbano Barberini, Prince of Palestrina oil painting


Urbano Barberini, Prince of Palestrina
Gemälde ID::  81302
Siehe Galerie in Schweden
Urbano Barberini, Prince of Palestrina
oil on canvas 76 x 63 cm Date 18th century cjr
oil_on_canvas_ 76_x_63_cm_ _ Date_18th_century _ cjr
   
   
     

Jacob Ferdinand Voet Portrait of Don Luis de la Cerda oil painting


Portrait of Don Luis de la Cerda
Gemälde ID::  82745
Siehe Galerie in Schweden
Portrait of Don Luis de la Cerda
1684(1684) Medium Oil on canvas Dimensions 231 x 173 cm (90.9 x 68.1 in) cyf
1684(1684) _ Medium_Oil_on_canvas _ Dimensions_231_x_173_cm_(90.9_x_68.1_in) _ cyf
   
   
     

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Vorheriger Künstler       Nächster Künstler     

     Jacob Ferdinand Voet
     (c. 1639 - c. 1689/1700) was a Flemish Baroque portrait painter. According to the Netherlands Institute for Art History (RKD) he was born at Antwerp as the son of the painter Elias Voet.[1] He travelled to Rome in 1679-1680, Milan in 1680, Florence in 1681, Turin in 1682-1684, and returned to Antwerp in 1684. While in Rome he lived with the painter-engraver Cornelis Bloemaert until he was banned for his portraits of women portrayed with unseemly decollet, whereupon they left Rome together. He undertook a journey to Paris in 1686 where he became court painter until he died there.He is registered as a painter of miniature portraits. According to Houbraken, he made his return journey to Antwerp from Turin in the company of Jan van Bunnik, who he had already met in Rome in the company of Cornelis Bloemaert. From Turin they set out for Lyons, where they met Adriaen van der Cabel, Peter van Bloemen, and Gillis Wenix. They set off for Paris in the company of a third painter who was a good painter of "bataljes" or battle scenes. Houbraken reports that this was Jacob, Jan van Bunnik's brother, but had not mentioned him earlier in his Jan van Bunnik biography. The RKD makes no mention of a Jacob van Bunnik.

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